The Soundtracs range Servicing SOUNDTRACS SPECS: • (Top of the Range) • • • • • • • (Medium Size/Modular) • • •. SS: What is wrong with analogue consoles? P.E:Not much really. If you keep them serviced, manually controlled and test that everything works every day.

'sends' 10 outs, so i guess I need a desk with 12-14 ins, and 2-4 aux. Go for bad prices either oh and another mixer Soundtracs Topaz look at that one. Search for the model that your after and download the manual for it. Soundtracs - analogue mixing desk sales and servicing - specialists in Soundtracs and Allen+Heath consoles.

SS: What is wrong with digital consoles? Cydia installer 1 1 16 deb download. P.E: The more general question is 'What is wrong with digital processing?' And I'm sorry to say that in some cases the answer is quite a lot. Basically it comes down to either not enough silicon or not enough knowledge, or both.

There are certainly digital audio products which are engineered to superlative standards but there's also a lot of stuff, particularly inside PCs which truncates (not dithers) the audio signal to ridiculously small internal word lengths, or doesn't interpolate coefficients, or uses on-screen controls with far to little accuracy or other basically silly techniques. © Studio Systems Ltd., 2019 • Web site Design by and • Fast UK web hosting.

Just doing my bit to get this thread into a three figure page count As someone who has, and does use Behringer gear, I think it's fair to say that they have come up with some good products. The DDX3216 is a joy of intuitive software/ui design. I loved using mine.

However they have blatantly ripped off designs from other companies. They have been taken to court for it, and they have lost. But they continued to do this - taking the bet that a lot of relatively small companies can't afford to risk going to court, which is expensive. I think when Behringer ripped of the Mackie 8 bus, 'designing' the Eurodesk MX8000, Mackie were doing pretty badly, so B took a risk and ripped them off. Still that's life in the corporate world. They're always taking each other to court for stealing intellectual property etc.

What annoys me more about Behringer gear is just how badly a lot of it is put together. Cheap components that don't last, sometimes components are completely missed by the flow soldering, big desks are not rigid enough and flex causing everything to break. I loved working with my DDX3216, and in the digital domain it sounded great. Sadly the analogue bits were rubbish, and deteriorated badly after a couple of years (cheap capacitors). More significantly, after it had broken once, I was never confident that it was going to carry on working and be reliable. It's really annoying because I'd gladly pay more for a good quality DDX3216 because I think it's by far the most user friendly compact digital mixer.

I now have a Tascam and it's terrible. Sounds great, but truly baffling to operate. Some of their gear is very usable and good value. But a lot of it isn't good value, it's false economy. It's important to know the difference. It isn't just Behringer gear that's cheap, big name brands are making good kit at the budget end. Windows xp professional sp2 traditional chinese iso. Given the choice of a £300 Behringer desk, or a £500 soundcraft desk, the quality difference is far great than the £200 would suggest and I would argue that often it's worth it.